BLURB
Savannah
Time is a story of human caring, loyalty,
inevitable change, bittersweet heartbreak, and hope, set in the lovely
garden that is historic Savannah.
In
this follow-on to Chatham Square, the eclectic collection of residents of one of
Savannah’s original residential squares have moved along in the
almost-glacial “Savannah time” pace of this southern city, although,
for some, the concern is that the pace is going too fast—that
inevitable unwanted change is in the air.
Samantha,
the little black girl with the deformed leg of the previous book, has
grown to nearly her eighteenth birthday. The residents of the square who
rallied to ensure she had the reconstructive operations she needed are,
for the most part, now in need of nurturing attention themselves, and
Samantha is providing the “Florence Nightingale” support they need.
But Samantha is at a cross-roads in her life. She has long said she
wanted to become a doctor, but as the time approaches for her to leave
home in pursuit of that dream, she feels the pull to remain in Chatham
Square to help her friends.
Conflicted
between what they want and what Samantha needs, her friends on the
square fight to conquer their own fear of change for Samantha’s sake.
The doll maker, Ginny, who is the emotional “glue” for the residents
of the square and employs Samantha as her assistant; Rose, the matriarch
“queen of the square”; Arnie, the irascible but kindly super of
Ginny and Samantha’s apartment house; and the ailing bookstore pair,
Tom and Edward, all have to bow to inevitable changes if Samantha is
going to be set free.
Added
to the mix are two young men vying for Samantha’s attention and a new
resident to the square, a novelist on a mysterious mission.
EXTRACT
“Here.
I think she’s ready to have her face painting finished. I did most of it last
night, but I saved the eyes for you. You’ve always been magic with the
eyes.”
Ginny
had stayed up much of the previous night, working on the Scottish doll and
fretting over what to say to Samantha when she came downstairs to work with
Ginny in the doll room this afternoon. It was Friday, the day Samantha didn’t
have to return to school for classes after preparing Arnie’s lunch on the
floor below. . . .
Today
had been like most every other Friday. Ginny had heard Samantha leave Arnie’s
apartment downstairs and then go up to the third floor to leave off her books
and change her clothes. And then her footsteps brought her back down to
Ginny’s second-floor apartment.
All
the time Ginny heard the young woman moving around she’d been composing her
“you’re fired” speech. She couldn’t bring herself to do it as abruptly
as Arnie had done it. But Ginny knew she was being selfish by not taking all of
the obstacles away from Samantha going away someplace to study medicine. There
was no good premed college course near Savannah. Ginny had already checked on
that.
No,
something needed to be done to turn Samantha away from a possible future of
staying here with Ginny in the doll business. And Ginny intended to start doing
it today. . . .
Ginny
picked up the nearly complete Scottish doll. “Here. I think she’s ready to
have her face painting finished. I did most of it last night, but I saved the
eyes for you. You’ve always been magic with the eyes.”
Both
women held their breath and put their heads together as, holding the doll’s
face toward the light of the only window in Ginny’s spare room, Samantha
charged the tiny brushes with the paints she needed and concentrated on the
porcelain figure she held in a steady grip.
When
she was done, Ginny could hardly see her work through the tears forming in her
eyes. “They’re perfect, Samantha. You’ve made her come alive.”
It
wasn’t anything like she had been determined to tell Samantha. But what
Samantha had done with the Scottish doll with just a few deft strokes and subtle
layering of the paint was exquisite. Ginny was an artist. She couldn’t lie to
another artist—an artist who was potentially a much greater artist that she
herself would ever be.
